Key Features of the CDP SEGMENTATION programs
- multiple time-varying parameters
- spectral options to play with the order of analysis window
- the shuffle options provide original and powerful ways to create patterns in the segments
- the texture set is one of the most extensive and powerful sets in the CDP catalogue
- repetition and shuffling are also available in the wavecycle distortion set
Some possible musical results with EXTEND
- Segmentation of vocal sounds can create disjointed and humorous effects.
- Staccato or flowing, reverberant effects can be achieved.
- Surface texture can be made rough or smooth.
- The source can be slightly broken up, made completely unrecognisable, or anything inbetween.
Other forms of segmentation in CDP
CDP has a very large array of programs with which to segment sounds and manipulate the segments. They include:
- BRASSAGE comprehensive granulation facilities
- GRAINMILL graphic version of BRASSAGE with built-in breakpoint editor
- TEXTURE build complex textures of many kinds
- EXTEND LOOP move through a soundfile, with discrete or overlapping segments
- EXTEND SCRAMBLE randomised segmentation
- EXTEND ZIGZAG move through soundfile both forwards and backwards
- BLUR DRUNK drunken walk through analysis windows
- BLUR SHUFFLE set the order and number of repetitions of analysis windows
- DISTORT SHUFFLE set the order and number of repetitions of wavecycles
- BLUR WEAVE define a path forwards and backwards through analysis windows
- GRAIN additional grain manipulation functions, such as reorder, create rhythms, transpose, reposition where grains are taken from the source.
General observations
- Extending sonic material is a basic task in compositional work.
- When composing with sounds, recognisability and qualitative differences in surface texture are important tools.
- Programs such as EXTEND DRUNK, GRAINMILL (BRASSAGE) and TEXTURE have multiple (time-varying) parameters which offer a huge range of possibilities.
- The variety of CDP's segmentation programs provide many different ways to approach extending material in this way.
Last updated: 4 December 2003