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Links to People and Music
CDP has Individual Members in:Argentina, Australia, Austria, Belgium, Canada, England, Finland, France,Germany, Iceland, Italy, South Korea, Malaysia, The Netherlands, Norway,Republic of Ireland, Sweden, Switzerland, USA, & (former) Yugoslavia CDP has Institutional Members in:Austria, Belgium, Canada, England, France, Germany, Italy, Malaysia, The Netherlands, Northern Ireland, Norway, Republic of Ireland, Scotland, Singapore, Switzerland, and the USA
Composers, Institutions and Music
Here we have links to various people and organisations that have been involved with CDP in one way or another, mostly as users of the CDP software. Where information is available, musical compositions written at least in part with the help of CDP software are listed in this document.
Please send in your details to archerhgm(at)gmail.com if you would like them listed here. My apologies if any of the links below are out of date. Please send in corrections.
- Charlotte Adams [Vortichez] Composer (Check out on Spotify and Instagram)
- Look Down This composition is "Made with sound clips from NASA, ESA, LIGO (Laser Interferometer Gravitational-Wave Observatory) and LHC sound (Large Hadron Collider)". Listen on Spotify: Look Down. Charlotte used many different processes available in the CDP software. These are listed on the CDP Forum: Showcase - Vortichez, 23 December 2016 posting. There is also a clip on Soundcloud https://soundcloud.com/vortichez/look-down. She also provides additional information about the sources of the data and which aspects she has sought to make audible with her music. It is a very interesting example of the musicalisation of data and well worth a listen.
- Hatshepsut's Harem Charlotte performed this piece at BEAST Feast in 2017. Hear a clip at: https://soundcloud.com/vortichez/hatshepsuts-harem-clip
- Want Water This piece was selected for the Arts & Science Days in Bourges in 2017: https://www.youtube.com/watch?v=Dn7K2QBKYRg
- Richard Azim Composer
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- The Flute Ascending 5 tracks comprising a cycle of improvisations using the Indian bansuri (bamboo flute), spectral treatments on Track 5 2002
- Natasha Barratt Composer
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- Rocks & Wraiths including "Red Snow"
- Anthony Bonello Composer
- Warren Burt Composer
- Rodolpho Caesar Composer & performer
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- Introduction to the Stone CDP prizewinner
- Dragan Capor Composer
- Gustav Ciamaga Composer & Educator [In Memoriam]
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- 2003: Prologue and Postscript
- 2003: Spadina Minilogues
- 2003: Possible Spaces no.8
- 2003-04: Order of Ideas
- 2004: Possible Spaces no.9
- 2004: For L:
- 2004: Paradigm Lost
- 2004: "Waiting..."
- 2004: Possible Spaces no.10
- 2004: For DL:
- 2004: Facing North no.2
- 2005: PizzA
- 2006: Possible Spaces no.11
- 2006: Three part invention no.5
- 2006: Possible Spaces no.12
- 2007: The Computer in my Life
- 2008: It's about time again
- Paul Coleman Composer
- Columbia University Computer Music Center
- Richard Dobson CDP Core Programmer
- Douglas Doherty (DACS Ltd.) Can supply and install complete CDP systems with computer, plus numerous other high quality, award winning audio items made by DACS Ltd.
- Archer Endrich Composer
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- Crossing the Dark Rift Soundscape to accompany exhibition of Pat Warrington's sculptural textiles, 'Mystery of the Maya' 2003
- Ambrose Field Composer and Studio Director at the University of York
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- Geosphere major Ambisonic soundscape
- Grey Sky Traffic CDP Commission, with funding from Yorkshire & Humberside Arts
- Till exploring electroacoustic cliché and context
- Expanse Hotel Ambisonic piece commissioned by ICMC for first performance at the ICMC in China, 1999
- Rajmil Fischman Composer & lecturer in music technology at Keele University
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- Los Dados Eternos oboe & tape, with emphasis on spectral transformations
- John Fitch Now retired Professor of Mathematical Sciences at the University of Bath and one of the key programmers who maintaining Csound, which is available from his Website.
- Peter Green Composer: Film scoring, radio & TV drama, composition commissions
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- Grrearra Réson a 3rd prize winner at Bourges (1997)
- Epnom Bynom with drummer Mike Dred, pvoc transformations of drum tracks
- Dehs a music and video piece, video by Amanda Terrington
- Virtual Farmer wide variety of styles & treatments
- Mark Grimshaw Composer; Now at the University of Bolton. Mark made contributions to the conceptual development of several of the CDP spectral modules. This cross-fertilization took place during discussions with Trevor Wishart while Mark was writing a set of his own spectral manipulation programs at York University.
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- Chris Halliwell Composer
- Florian Hecker Composer
- Frank Ekeberg Henriksen Composer
- Peter Howard Composer
- Tim Howle Composer, currently Professor of Contemporary Music in the Department of Music & Audio, and is also research co-ordinator for the School of Arts at Medway.
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- Subplot 20'19" entrancing electroacoustic textures
- Electroacoustic Movies (with Nick Cope) on DVD
- Celeste Hutchins Composer / Programmer
- Peter Karkut Composer
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- Heavy Like Saturn (1999)
- Circle of Foxes
- Katharina Klement Composer
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- Textur für klavier & lautsprecher
- BrandungI and II produced with support from Werkstadt Graz (CD 02)
- Simon Kunath and James A. Smith Composer
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- Shiny Blackness (1998) Burn 1.0023) 11 tracks, vocal, instrumental, and treatments
- Leeds Metropolitan University
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- Offering a range of Sound, Music and Performance courses using CDP software.
- Bernhard Lang Musician, Composer
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- Dave Malham: University of York Ambisonics Ambisonic research.
- Dave is Experimental Research Officer at the Music Research Centre. He designed the SoundSTreamer used with the first CDP systems on the Atari ST.
- Odilon Marcenaro Composer, currently teaching at the Royal Welsh College of Music & Drama.
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- Seven Light Pieces written for contemporary dance
- Mi Sveglio Cantando 1993
- Dennis Miller Composer, Graphic Artist, and professor of music technology at Northeastern University
- Bertrand Merlier Composer
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- Uni-Verre-Son visual & sonic environment
(with B Froment & P Gallais)
- Eduardo Miranda
- Composer and researcher. Professor in Computer Music, School of Humanities and Performing Arts at the University of Plymouth. Compositions on the CD mother tongue (Sargasso, scd28051 - 2004):
- 'electroacoustic samba II' (7:04)
- 'le jardin de jerôme' (11:50)
- 'requiem per una veu perduda' including 'kyrie' (3:51), 'gloria' (3:59), 'sanctus-benedictus' (5:12), 'agnus dei' (4:07)
- 'goma arábica' (7:22)
- 'electroacoustic samba I' (7:35)
- 'robotapithecos' (8:07)
- Matt Mitchell Composer, recently touring in London and on the Continent
- Tony Myatt Composer
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- Mechanicae uses Csound extensively. He is Director of the Music Research Centre at the University of York (England).
- Carey Nutman Composer and founder of the MPS Music and Video record label.
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- Contrasts various contrasting styles, including TGV (performed and broadcast in Canada, the USA, Russia, Ukraine and Australia), Icicles/Reflect, and Facing the Infinite II
- Contrasts 2 contains a lengthy piece called Oloroso, which uses a variety of (CDP) transformation techniques
- Richard Orton Composer & programmer: Tabula Vigilans, Form-Builder, Score-Builder
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- 3 Monoliths: No. 1 The Hemlock Stone evolving textures based on rock/stone source material 2004
- Pablo Palacio Composer
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- Silem constructed entirely from transformations of three utterances of Miles Davis, using only CDP software. Won the 'Circuitos de Müsica 2006 Injuve' award. Available on the Tunyi CD, Autoplástico.
- BlumenKabarett written for the Compagnie Buissonni Être-Laussanne, Suisse (2006-2007)
- Androgena de Minas written for the Compagnie Buissonni Être-Laussanne, Suisse (2007-2008)
- Acusmatrix acousmatic composition for eight channels and one dancer. Composed during the artist in residence program at Universidad de Alcale and La Casa Encendida, Madrid (2007-2008)
- Dale Perkins Composer, and a lecturer at the Leeds College of Music
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- Submarine motivated by the catastrophic suffering of the Kursk submarine crew 2000-01
- Excursions moving from one sonic landscape to another through the process of sonic modulation 2002
- Holiday Snap 2002: A Sonic Document sounds emanating from the small seaside town of Whitby 2002
- Fundamental Manoeuvre a 3-part form that makes use of a fundamental melodic motif found hidden within the source material 2003
- Rubicon Drift Caesar's Rubicon: boundaries and the (sometimes disastrous) consequences of crossing them 2004
- Marc Piera Composer
- Melvyn Poore Composer and professional tuba player specialising in contemporary music
- Peter Ridsdale Composer
- Klaus Röder Composer
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- Harry-Ed Roland Composer
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- Selbstverstümmelung (Self-Mutilation) premiered in Berlin, Dec 1993
- Emmaculate Darkness first panel of The First Legend: Raindance 1994
- Traversing Distant Interiors: BR 1-6 composed Spring of 1999 [16'30"]
- N.A.M.A: "booty" don't walk composed Autumn 1999 [8'30"]
- Circadian Rhythms: WT composed Winter/Spring of 2001 [10']
- Silenced Dreams: TMA composed Winter/Spring of 2002 [10'48"]
- The Warrior Weeps I-IV: This series of four compositions, together form Love's Labors [37'] and will be released on CD in Autumn 2009 on the Imbalance Computer Music label.
- The Warrior Weeps I: LOVE'S LABORS 2006 [10'15"], premiered: ICMC 2007
- The Warrior Weeps II: Shadow-and-Reflections 2007 [9'40"], premiered: ICMC 2008
- The Warrior Weeps III: Tears-and-Twilight 2008 [5'08"], premiered: DEGEM/Limburg 2007
- The Warrior Weeps IV: Mesozoic and Hephaestus 2008 [11'04"], premier preview: Technical University Berlin 2009
- Shamanic Whispers one movement of a larger composite composition that includes movements by 3 more composers, premiered in Spain in June 2005 [Harry-Ed's contribution is 4' in duration]
- Michel Sanchez Composer
- Douglas Shearer Composer
- Adam Stanovic Composer
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- Donau (2003) The David Thompson Award for Outstanding Achievement in Music Production, Leeds College of Music, 2003
- Early Morning (2005) First Prize in the Metamorphoses Competition 2006
- Isthmus (2006) 'Residency Prize' at the 33 rd Bourges International Competition 2006
- Escapade (2010?) Awarded First Prize by the Foundation Destellos' Third International Competition of Electroacoustic Composition and Visual-Music, 2010.
- Fred Szymanski Composer & works with film
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- ESKERS, 8-channel electroacoustic composition [10']
- The Musica Nova Competition, Finalist, Society for Electroacoustic Music of Czech Republic, November 2008, Prague.
- New York City Electroacoustic Music Festival, Performance of ESKERS, 8-Channel diffusion, March 2009, City University of New York Graduate Center, 365 Fifth Avenue, New York, New York.
- "Music Under the Influence of Computers", February 2010, Presentation of ESKERS for 8-Channel Diffusion, Black Box Theater Atkinson Hall, UCSD, San Diego, CA.
- ARKOSE, 8-channel electroacoustic composition, [8']
- New York City Electroacoustic Music Festival, Performance of ARKOSE for 8-Channel Diffusion, March 2010, City University of New York, Graduate Center, 365 Fifth Avenue, New York, New York.
- Jukka Tiensuu Composer and renown harpsichordist
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- Tokko winner of Radio France Prize
- Eitan Teomi Composer
- University of Birmingham Electroacoustic music courses - BEAST sound diffusion
- Yvan Vander Sanden Composer and Programmer
- attr-x-game-music This is a series of tracks made with CDP, Soundshaper and Wavelab. The album is published on Bandcamp where the tracks can be heard individually or the whole album purchased. All sounds are created with only 2 sounds: a 2 second violin recording and a 5 second bass clarinet. The scope of the transformations reveals a very fertile musical imagination. Yvan is currently director of Mutecode, creating software applications for artists. [NB: Yvan sent me this information in December 2013 and I am only just putting it on the CDP website (Jan 2017), for which serious apologies are in order - AE.]
- Mike Vaughan Composer, Professor, Head of School of Humanities at Keele University.
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- CrossTalk an exciting and dynamic reconstruction of harpsichord source material (CDP prizewinner)
- Markku Veijonsuo Composer, Trombonist
- Clemens von Reusner Composer
- Like many composers, Clemens has used a variety of software packages besides CDP to create his extensive list of electroacoustic pieces. These include Csound, SOX and SuperCollider. "CDP", he mentions, "is an indispensable tool in my workflow."
- Vedran Vucic Composer and educator in Yugolavia. Also works with visual artists.
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- Rob Waring Composer living and working in Norway
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- Baby Carriage Fantasy an imaginative perception of the world from the baby's point of view inside the carriage
- Trevor Wishart Composer and author of the CDP Spectral sound transformation package, as well as most of the Time Domain program modules. See his Website for information about ordering his books and CDs.
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- Tongues of Fire Linz Ars Electronica first prize 1995
- Fabulous Paris dense electroacoustic work featuring time-varying frequency handling
- Imago amazing evolution from a single source
- Globalalia a world view with every manner of speech processing (now available in CDP Release 5.0)
- Gerhard Wolfstieg Composer and progammer, Germany
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- diosmose radio play, 54', 1994. Written in collaboration with Thomas Schulze and realised in the ZKM Studio Karlsruhe and in the Studio Des Komponisten. Available on CD: email: gw[a]wolfstieg.com
- James Wyness Composer
- Jeremy Zuckerman Composer and co-founder of The Track Team, a film and television music and sound design facility.
The Sonic Arts Network's Soundbytes contains information about CD's http://www.sonicartsnetwork.org/ that include pieces by the following CDP members (click on the 'sounds' link):
- Natasha Barrett - Rocks & Wraiths
- Michael Clarke - Uppvaknande, Malarsang, Refractions, Epicycle
- Rajmil Fischman - Dreams of Being
- Agustín Fernández - Wounded Angel
- Peter Green (with Mike Dred) - Epnom Bynom
- Jonty Harrison - Klang
- Carey Nutman - Contrasts
- Mike Vaughan - Ensphered
- Trevor Wishart - The Vox Cycle
Last updated: 28 December 2022
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